Experience the intersection of ancient sanctity and modern creativity at the Gabal al-Tayr Arts Symposium. Forty international artists converge in Minia to revive the Holy Family Trail through evocative paintings, capturing the spiritual essence and beauty of Egypt’s historic landscapes.
The inaugural Gabal al-Tayr International Arts Symposium recently concluded its residency in the Minya Governorate, marking a vibrant chapter in the revival of the Holy Family Trail (the historic path believed to be traveled by Mary, Joseph, and Jesus). Over ten days, forty artists from Egypt, the broader Arab world, and abroad gathered to bridge the gap between contemporary creativity and ancient sanctity. The symposium’s mission is clear: to breathe life into religious tourism and illuminate the province’s archaeological treasures by anchoring artistic expression within these hallowed sites. The heart of the gathering was Gabal al-Tayr (Mountain of the Birds), one of the most storied stations of the Holy Family’s journey through Egypt.
Field Expeditions for the Visiting Delegations
Running from April 4 to 14, the symposium curated a series of immersive field visits for the participating artists. These journeys took them to the necropolis of Tuna al-Gabal and the tragic, poetic House of Isadora (a memorial to a legendary Roman-era figure). The itinerary also included a Nile voyage to the cliffs of Beni Hassan.
The participating artists expressed a profound sense of fulfilment, particularly in the presence of Gabal al-Tayr’s raw, breathtaking landscapes. For many, the site’s status as a pivotal refuge for the Holy Family transformed the physical terrain into a wellspring of spiritual and creative interiority.
A Radiant Energy of Hope
Wafaa al-Nashashibi, a Palestinian-Jordanian artist, shared her joy in participating, noting that her canvases were born directly from the spirit of Gabal al-Tayr. Her work centred on the Virgin Mary and the arduous trek from Palestine to Egypt.
“The enchanting nature of the Nile in Minya and these sublime vistas bestowed upon us a radiant energy of hope,” she told Bab Misr. “This was mirrored in the very quality of our work; the lush greenery, in particular, lent a distinctive character that we often find lacking in the urban sprawl of our cities.” She added that the excursions to Tuna al-Gabal and the monumental treasures of Beni Hassan allowed the artists to witness firsthand the zenith of ancient Egyptian civilisation.
An Inspired Educational Journey
“I have loved painting since my childhood; it has always been the vessel for my emotions,” remarked the Romanian artist Mirela. “I find a fragment of my soul in every canvas, and I view my art as a reflection of my inner world. I feel a visceral connection to the landscape, and I hope viewers feel a sense of peace and see the beauty in the minute, everyday details. I prefer painting outdoors to capture authentic light, especially in spring when the colours of the flora are most arresting.”
Mirela noted that Menia’s ancient heritage spurred her to create new works rooted in the natural palettes she encountered. “Participating in the revival of the Holy Family Trail has been a deeply educational and artistic journey. It ignited a fervour in me to produce work that honours the natural world I witnessed here.”
A Message of Peace to the World
Mai Hishmat, another participant, emphasized the camaraderie found among the international cohort. She noted that the symposium functioned as a silent manifesto, sending a message of peace to the world: that Egypt remains a sanctuary of security.
“Through our paintings, we helped document the journey of the Holy Family, who sought Egypt as a safe haven and lived here in tranquility,” Hishmat said. “Art is not merely an object; it is a pulpit for culture and peace.”
A Sensory Immersion in the Rural Heart
Egyptian artist Maria Moheb spoke warmly of the “Reviving the Holy Family Trail” symposium, organized by Picasso East and East Art Way. She was particularly struck by the cultural density of Minya and the authentic charm of the Egyptian countryside during the Nile trip to Beni Hassan. Moheb expressed a longing for the simplicity of rural life, describing the experience as a masterclass for her future projects.
“Painting from nature is a unique sensory experience,” Moheb explained. “The artist feels every nuance the rustle of the trees, the wind, the birdsong, and the shifting reflections of light. These details seep into the imagination, guiding the movement of the brush. A painting born in the embrace of nature pulses with life; it is the result of a direct communion between the creator and the elements, a sanctuary that restores passion and provides endless inspiration.”
Nature : The Primary Mentor
Jehan Fayez, Professor and Head of the Painting Department at Menia University’s Faculty of Fine Arts, noted that such symposia serve as vital crossroads for artists, linking the fine arts with tourism promotion. She described the event as a “love letter to life,” with her own work capturing the aesthetic grace of the Gabal al-Tayr monastery.
“Nature is the artist’s primary mentor,” Fayez observed. “It is a plunge into the depths of imagination. Painting from life is the bedrock of an artist’s character, providing an inexhaustible well of inspiration it is, truly, the greatest palette. In these landscapes, I found myself singularly using colour, playing with the harmony between natural light, the water’s surface, and the foliage.”
Dr. Tharwat al-Azhari, Director of the Tourism Department in Minya, concluded that gathering these artists at Gabal al-Tayr serves to weave art into the fabric of heritage. The goal, he explained, is to present the Holy Family Trail through a contemporary lens that resonates globally, transforming historic sites into vibrant, creative destinations and cementing Menia’s reputation as a premier hub for cultural and religious pilgrimage.
